Dubai Department of Economy and Tourism
Dubai welcomed 19.59 million international overnight visitors in 2025
Read the named source →AI video starts at ₹75,000 per 30 seconds of finished film; the monthly retainer is ₹2,00,000 for 8 to 10 films.
AI video production starts at ₹75,000 per 30 seconds of finished film. The retainer is ₹2,00,000 a month for 8 to 10 films. Each scope defines the use, length, formats, review rounds, input assets and finishing before production begins.
The service combines a written concept, storyboard, generated or supplied visual material, human editing, sound and delivery formats. Dubai clients have eight working hours alongside the India team during a 09:00 to 17:00 UAE day.
Dubai brands publish for residents, visitors and regional audiences across many short campaign windows. Hospitality can move from seasonal offers to property stories; real estate can move from project launches to investor education; retail needs frequent product and format variation.
DET reported 19.59 million international overnight visitors in 2025, while Dubai Chambers supported 1,690 digital startups. DFSA counted 1,050 regulated DIFC entities. The production need ranges from fast social explainers to controlled B2B and finance communication.
The brief names the audience and placement before visual production starts. A six-second paid cut, a thirty-second social film and a sixty-second sales story ask for different pacing, proof and framing even when they share the same core idea.
Dubai welcomed 19.59 million international overnight visitors in 2025
Read the named source →Dubai recorded 1.38 million tenancy contracts in 2025
Read the named source →DIFC had 1,050 regulated entities at the end of 2025
Read the named source →The Chamber of Digital Economy supported 1,690 digital startups during 2025
Read the named source →A short film needs one clear point. The team agrees what the viewer should understand, what evidence is available and where the film will run. References are separated into message, pace, framing and visual treatment.
The concept is written in plain language before scene generation. That gives reviewers something concrete to accept or change without spending production time on an unclear direction.
Each scene receives a purpose, duration, visual note, copy or voice line and transition. Product details, people, environments and brand elements are checked across the sequence.
Continuity matters most when several generated shots need to feel like one film. The board creates a shared record for visual prompts, editing and client review.
Selected scenes are generated or assembled from approved inputs, then reviewed for consistency, legibility and brand fit. Editors control rhythm, transitions, sound and the relationship between image and copy.
The first cut is judged in the target format. Mobile text size, safe areas, opening speed and ending action are checked for the placements named in the brief.
A finished story can be adapted into paid cutdowns, organic edits, square or vertical versions and shorter hooks when that use is included in scope. Each version keeps the central point intact.
The delivery list names aspect ratios, duration, captions, thumbnails and file formats. The client team receives the files it can actually publish rather than one master that needs another production round.
Hospitality and property films often need a strong sense of place. The storyboard decides where generated scenes, supplied location material, typography and offer information belong. A visual treatment can create atmosphere, while the client’s approved facts keep the film tied to the real property, experience or campaign.
Retail and ecommerce films usually need the product to remain easy to recognise. Pack shape, colour, use and claim language are controlled across scenes. Short paid versions reach the product and reason to act quickly; longer organic versions can give the story more room without changing the core proposition.
Finance, healthcare, free-zone and B2B films work best when explanation leads the style. A process can be visualised, a technical subject can be made easier to follow, and several language or format versions can share one approved storyboard. Review ownership is fixed early so factual changes reach every cut.
Usage and source material are recorded in the production scope. The team identifies which logos, product files, locations, people, voices and music can be used for the agreed placements. That record gives editors a clean delivery boundary and helps the client organise future cutdowns from the same campaign system.
Audience, single message, evidence, placement and visual direction.
Spoken or on-screen copy written to the required duration.
Scene purpose, timing, framing and transitions agreed before generation.
Approved generated scenes or supplied assets created for the selected treatment.
Editing, sound, continuity, typography and brand checks.
Masters, cutdowns, captions, thumbnails and aspect ratios from the written scope.
The figures below are DigiStreet’s published starting points. The proposal fixes the exact deliverables, review route and any separate media, production, translation, travel, hosting or integration cost.
Concept, production route and deliverables are fixed in the proposal.
Get a quote8 to 10 films within the agreed monthly format and review system.
Get a quote| Option | Price | Fit or scope |
|---|---|---|
| Finished AI film | From ₹75,000 / 30 seconds | Concept, production route and deliverables are fixed in the proposal. |
| AI video retainer | ₹2,00,000 / month | 8 to 10 films within the agreed monthly format and review system. |
Overseas clients can be billed in INR or USD at the conversion rate fixed in the agreement.
The opening cycle creates the record, ships the first priority work and gives the second cycle better evidence. Each review ends with owners and dated actions.
Agree the audience, placement, message, inputs, visual references, rights and review owners.
Approve the scene plan, create selected visual material and assemble the first cut with sound and copy.
Use the approved direction to produce the agreed cutdowns, variants or next film group more efficiently.
Review viewing and action signals with the client team, then refine openings, duration and format mix for the next cycle.
Scenes, framing and type belong to the same treatment across the finished film.
The delivery set matches the placements and aspect ratios agreed in the brief.
Approved references and continuity rules give the next group a stronger starting point.
The first approval is the written idea, audience and intended placement. The second is the storyboard with scene purpose and timing. Later reviews focus on selected visual material and the assembled cut. Separating those decisions reduces expensive direction changes after the film has already taken shape.
Feedback is gathered by one client owner and tied to a timecode or storyboard frame. Factual corrections, brand concerns and personal preferences are kept distinct so the production team can resolve each one at the right stage. The approved cut becomes the source for any agreed format adaptations.
Continuity notes track recurring people, products, environments, colours, camera treatment and typography. Generated scenes are checked against those notes before edit. Human finishing then controls rhythm, sound, transitions, legibility and the relationship between the visual and the spoken or on-screen line.
The delivery record lists every filename, duration, aspect ratio, caption state, thumbnail and intended channel. It also records the approved master and any source material supplied by the client. That makes later campaign cutdowns easier to brief and prevents an old review file from returning as the published version.
A campaign can use several opening cuts without rebuilding the entire film. The storyboard identifies which first scene, line or product reveal can change while the approved middle and ending remain stable. Those versions are delivered with clear names so the media or social team can read the test correctly.
Archive files are organised by master, cutdown, language, ratio and review status. Approved project material remains easy to find when a Dubai team needs a later seasonal adaptation. A fresh brief still records the new claim, offer and usage before editors reopen the sequence.
These assets come from DigiStreet’s published case studies, creative showcases or service portfolio.
Fund Abroad · AI campaign filmFund Abroad shows an AI-assisted campaign film designed around a clear education-finance message.
Open the published work →Viraa Professional · Product filmViraa Professional demonstrates product-led visual direction carried through a short finished film.
Open the published work →KTC · Brand filmKTC uses AI-assisted scenes and human editing to shape a brand story with a defined visual treatment.
Open the published work →AI video starts at ₹75,000 per 30 seconds of finished film, with the exact proposal based on concept and deliverables.
Yes. The retainer is ₹2,00,000 a month for 8 to 10 films within an agreed production and review system.
Yes. Human editing, continuity review, sound, typography and delivery checks are part of the finished production route.
Yes. Aspect ratios, cutdowns, captions and thumbnails can be included in the written delivery list.
Yes. The source story and approved terms are agreed first, then suitable Arabic copy, voice and review specialists can be scoped.
A UAE working day overlaps the India team for eight hours, allowing storyboards and cuts to be reviewed during the same business day.
Share the existing site or account, priority UAE audience, sales constraint and the person who will approve work. DigiStreet will map the first useful scope.
4.9 / 5
“With our growing presence across diverse domains, an effective digital presence and communication strategy is imperative. We are sure that DigiStreet Media, with its creative skillset and proven digital expertise, will play a pivotal role in elevating JBM Group’s online brand experience, thereby, expanding global brand reach.”
Mr. Dushyant Sharma
Group Head, Marketing Communications & Branding, JBM Group
4.8 / 5
“In an era where digital presence is crucial, we are thrilled to entrust DigiStreet Media with our digital and creative mandate. Their proven track record and innovative approach align with our objectives, and we believe this partnership will elevate our brand in the digital realm.”
Ms. Charu Goswami
Head of Corporate Communications, SLCM
5.0 / 5
“We had this idea in our minds to associate Sirca with homes. This brand communication DigiStreet came up with has really stood strong from that point of view. I also think that this communication has enough scalability to play many stories and has the ability to connect it to both our consumers and key stakeholders.”
Mr. Apoorv Agarwal
Joint Managing Director, Sirca Paints
4.9 / 5
“An ever-energetic team with the true essence of timelines & technology as well as in-depth knowledge – this is what I can say for team DigiStreet. The swiftness and efficiency with which DigiStreet has completed the project well on time is truly commendable. Omaxe’s relation with DigiStreet has further strengthened with this project!”
Mr. Deepak Rawat
Product Head – Marketing, Omaxe Group
4.9 / 5
“We are happy that we are on the cutting edge with our new website and have synergised our entire web experience – social media handles, Amazon store etc. with the website.”
Mr. Amar Wadhwa
Marketing Consultant, Halonix
5.0 / 5
“What intrigued and excited me about DigiStreet is the amount of research and perspective the agency team provided us with. Along with brand communication and marketing outlook, the team has also stepped up with setting up online marketplaces, redesigning product packaging, web development, and social media.”
Mr. Samarth Gupta
Director, Farmer Fresh
5.0 / 5
“Over the last five years, Kavish Arora and the team at DigiStreet Media have become an extended part of our marketing team at Voting Portals. From a simple email design to SEO, website design, digital campaigns and video production, they have consistently stepped in and delivered.”
Don Gonzales
Marketing Head, Voting Portals, USA
4.9 / 5
“We met Kavish during the lockdown, when Cyboard School was still an idea: to build India's first online school. His team helped turn that idea into a market-ready brand through website design, SEO, social media, UGC content and the many day-to-day requirements of launching something new.”
Rajat
Founder & Managing Director, Cyboard School
4.9 / 5
“Kavish and his team worked with us for more than four years across social media, SEO and performance marketing. Their strategic and consistent support strengthened our brand presence and helped us reach international patients from Africa and the Middle East.”
Anupam Pandey
Owner & Marketing Director, Asian Hospital, Faridabad
Awarded Digital Marketing Agency
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