5-video pack
₹75,000₹15,000 per videoExcluding GST. A focused launch, product or first creative test.
Enter the number of videos needed. The calculator selects the next available 5, 10 or 20-video pack and shows the cost before GST.
Five UGC videos cost ₹75,000, ten cost ₹90,000 and twenty cost ₹1,60,000, excluding GST. The effective rates are ₹15,000, ₹9,000 and ₹8,000 per video. For a quantity between packs, the calculator shows the next pack up.
A request above twenty videos is marked for a custom quote because the published table stops at twenty. The result does not invent a larger-pack price or multiply a smaller rate beyond its stated band.
Excluding GST. A focused launch, product or first creative test.
Excluding GST. More buyer questions, audiences or placements.
Excluding GST. A broader or recurring content library.
Published pack total: ₹75,000 excluding GST.
All money results are shown + GST.
The three pack totals and per-video rates match the current UGC video service page. Creator posting, paid usage, travel, specialist locations, unusual props and complex logistics are scoped separately when needed.
The five-video pack is ₹75,000, which is ₹15,000 per finished video. The ten-video pack is ₹90,000, which is ₹9,000 each. The twenty-video pack is ₹1,60,000, which is ₹8,000 each. GST is added to the pack price.
If the brief asks for seven videos, the next published pack is ten. If it asks for fourteen, the next pack is twenty. The unused capacity can become alternate hooks, product variations or another stage of the same campaign rather than forcing an invented per-piece rate.
The calculator chooses by quantity only. Production needs still shape the brief: locations, products, creator profiles, languages, usage, editing style and review rounds should be stated before the pack is scheduled.
A useful five-video set can test different openings against one offer. A ten-video set can split across products, objections or stages. A twenty-video set gives a campaign room to rotate fresh hooks and formats while keeping the core brand facts consistent.
Write the purpose beside every concept. One film might introduce the problem, one might demonstrate use, one might handle a concern and one might show the next step. This prevents a larger pack from becoming the same script repeated with minor wording changes.
The brief should also state where each asset will run. A paid-social opening may need the product and benefit within the first seconds. An organic reel can spend more time on context. A product page may need a clearer demonstration and less creator-led setup.
UGC can use a direct-to-camera explanation, product demonstration, routine, unboxing, comparison or scripted scene. The choice should come from what the buyer needs to see. A ceramic surface, finance product, wellness item and education offer do not need the same format.
Products and factual claims need a clear source. The brand supplies approved facts, usage instructions and boundaries. The script then turns those points into natural speech without adding medical, financial or performance claims that were never approved.
Creator fit is more than follower count. Voice, presentation, audience familiarity and the ability to demonstrate the product matter. When talent or influencer distribution is needed beyond production, that commercial scope is kept separate from the published video pack.
The review should identify factual changes, brand changes and editing changes in one place. Time-coded feedback is clearer than separate messages from several reviewers. A named approver keeps a product correction from being mistaken for a creative preference.
File naming should connect the delivered edit to its concept, hook and version. That makes performance feedback usable later. When an ad wins, the team can see whether the result came from the opening, offer, creator, format or audience rather than treating the entire file as one unknown variable.
Usage and placement should be recorded with delivery. The pack price describes production quantity. Media spend, paid amplification, influencer reach and special licensing need their own written scope where they apply.
Watch time, hold rate, clicks, qualified comments and conversion behaviour can each answer a different question. A strong opening with weak conversion may point to the offer or page. A weak opening can hide a useful demonstration that few viewers reach.
The next pack should use that evidence. Keep the parts that earned attention, replace the parts that lost it and write new concepts around real customer questions. Creative production becomes more useful when learning moves from one set into the next.
Add the selected pack to a concept sheet with one row per video. Name the audience, opening, product fact, format and destination for each row before scripts move into production.
For quantities between packs, use the spare capacity deliberately. Alternate hooks, shorter edits or a second product angle can turn the pack difference into useful test material instead of unused inventory. Give every extra cut a named placement and purpose.
Keep the calculator output beside the creative matrix and approval owner. The pack price answers quantity, while the matrix answers what will be made. Products, props, creator availability, locations, languages and usage can change the schedule even when the number of finished files stays fixed. A single review route and approved product facts reduce avoidable reshoots and make the delivery set easier to assess after it runs.
Plan the launch order before every edit is final. An opening group can test three or four distinct hooks while the remaining concepts wait for early feedback. The second group can then carry forward the clearest product angle without changing approved facts. Save the hook, caption, placement and audience beside each file name. That record lets the next pack begin with evidence from the last one instead of asking a new creator to repeat the same ideas. When a video is repurposed, label the crop and duration so reporting can separate the original cut from its shorter versions. Keep the approved claim sheet with the delivered files for the next production cycle.
The published pack gives the buyer a firm quantity and starting production price. The brief then records what can be shot together and what needs separate preparation. Several product demonstrations in one location may share setup time. A new location, specialist creator or second language can create a different production block even when the finished video count stays inside the same pack.
Group scripts by what the camera needs, not only by their order in the content calendar. Products, props and approved claims can then be checked before the shoot day. The edit list can still follow campaign priority. This split makes the pack easier to schedule and gives the brand a clear view of which decisions affect production, which affect post-production and which affect paid distribution after the files are approved.
Five videos cost ₹75,000 excluding GST, which is ₹15,000 per video.
Ten videos cost ₹90,000 excluding GST, which is ₹9,000 per video.
Twenty videos cost ₹1,60,000 excluding GST, which is ₹8,000 per video.
The calculator recommends the next published pack, which is ten videos.
The result asks you to get a custom quote because packs above twenty videos are quoted individually.
No. The published price covers the video pack; paid amplification and media are separate.
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